Started with The Floating One, modelling in cardboard and thinking about the broad plans and changes of them. Got sick of this very quickly as it’s fiddly and a very different process to clay or anything else I have done.

Moved onto Solidarity (WT), brought background figure closer to second figure so they were closer. Paul talked about moving nose over and modelling facing the figure, as if they were looking directly at me. Not only will this help the main view but also the view from the side.