The Floating One

Continued working drapery, Emma recommended dollying the whole surface. I agree so spent the day working the forms like that, gives a much more consistent feel, being careful of the lines of drapery and making sure they remain straight and strong.

Flipped it over after lunch to work on the lower portions of drapery but much less dollying as a lot of carving still to do. Next step is hands and feet so I can work out how the drapery will work with these features.

Charlotte Howarth’s Workshop

Cut the penultimate panel and redrew the cross on the final.